From Above exhibition at the Nagasaki Nation Peace Memorial Hall for Atomic Bomb Victims

December 3rd, 2017

..December 2017.. ..New York to Nagasaki..

Preparing prints for the From Above exhibition opening on December 9th at the Nagasaki National Peace Memorial Hall for the Atomic Bomb Victims. There will be a question and answer session about the development of the project beginning at 11am. The exhibition features portraits of atomic bomb survivors from Nagasaki.

I will also be teaching photo workshops on December 9th and 10th concentrating on the use of photography and art to promote peace. Anyone who wants to attend the photo workshops has to sign up in advance to reserve a place. There is no admission fee. Anyone with a camera or cell phone camera can attend.

The project was exhibited in Nagasaki last year but there are plenty of new portraits that will be shown of hibkauhsa (atomic bomb survivors) I photographed during last year’s trip— with Nagasaki National Peace Memorial Hall for the Atomic Bomb Victims in Nagasaki, Nagasaki.

The exhibition is open from December 9th-16th.
A few From Above limited edition books, which features portraits of atomic bomb and firebombing survivors from WWII, will be released for the exhibition. They are only available at http://www.photoeye.com/bookstore/citation.cfm?catalog=I1040&i&i2 or at the venue.

From Above exhibition at the Nagasaki National Peace Memorial Hall for Atomic Bomb Victims

November 24th, 2017

..November 2017..

My project From Above, featuring portraits of atomic bomb and fire bombing victims from WWII, will be exhibited as a part of the 2017 Nagasaki International Peace Film Forum. It will be taking place at the Nagasaki National Peace Memorial Hall for the Atomic Bomb Victims from December 9th-16th.

The opening is Saturday December 9th, which also includes a question and answer session about the development of the project.

I will also be teaching photo workshops on December 9th and 10th concentrating on the use of photography and art to promote peace. Anyone who wants to attend the photo workshops has to sign up in advance to reserve a place. There is no admission fee. Anyone with a camera or cell phone camera can attend.

The project was exhibited in Nagasaki last year but there are plenty of new portraits that will be shown of hibkauhsa (atomic bomb survivors) I photographed during last year’s trip— with Nagasaki National Peace Memorial Hall for the Atomic Bomb Victims in Nagasaki, Nagasaki.

If you’re in Japan please attend.

Fragile

November 23rd, 2017

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The Cure

November 20th, 2017


London Road Cemetery, Coventry

November 15th, 2017

Sylvia Schaler

November 14th, 2017

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Bill Ward

November 13th, 2017

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Günter Max Brock

November 10th, 2017

Documents 545

Documents 546

From Above at the Nagasaki Peace Memorial Hall for Atomic Bomb Victims

November 1st, 2017

..November 2017..

Preparing a list of portraits for the upcoming From Above exhibition at the Nagasaki Peace Memorial Hal for Atomic Bomb Victims opening on December 9th.


Jane’s Addiction

October 30th, 2017

..October 1997.. ..Hammerstein Ballroom, New York..

On October 30th, 1997 I photographed Jane’s Addiction at Hammerstein Ballroom in New York. I have a large photograph from the concert hanging in my living room. A symbol of the start of my career.

I remember the exact moment when I snapped the photo and the lyric Perry was singing during Ocean Size. He put his leg over the monitor leaned towards the crowd. I snapped away.

I was about a foot away in the photo pit. A nervous sweat poured out of me all over my camera. My finger was on the shutter button all concert. The energy from the band and crowd made me feel like I was on a hard charging wave.

At the end of the second song Dave leaned down from the stage with a rose sticking in his hair. I heard his soft voice over the anarchic crowd and shreeking teenage girls. “Is everything ok?’ I nodded. I can’t say it was surreal. It was unrealistic.

I drove to Washington, DC the day after. Worrying all night if that shot came out. Back then everything had to be shot on slide film for magazines. 320 Tungsten pushed 2 stops. I picked up my film, immediately looked for that series of shoots. Walking down a cobblestone street in Georgetown and looking at the film simultaneously. I got the shot. I remember the walk like it was yesterday. 23 and the beginning of something. Of what?

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